Songbook / words & recordings
Angel
Hovercraft song file · /lyrics/angel/
01 / The words
Wildman / Marsden / Downing / Downing · Lyrics: Wildman
From the 1996 sessions · Reconstructed 2026 · A Bottle And A Suitcase
[spoken off-mic "Take that. Uh."] I always said you was an angel With kiss-me eyes and your Prada bag, yeah But you was always one step out of touch What a shame it was about that Time went marching onwards But our lives stayed much the same I thought I saw you come towards me Before you drifted more and more and more and more away Why'd you have to do it, angel? Why'd you have to go now, angel? I keep on fighting, angel Just to forget about it, angel You always said we'd never make it I didn't believe you then, but I'm wiser now And when you was gone, I just couldn't take it, yeah I let myself get down and down and down and down and down Life's a bitch, angel You couldn't handle it, angel I keep on burning, angel Just to forget about it, angel And it gets harder every day The nights are long, the rats have got my brain It doesn't matter what they say I've got to put myself away And it gets harder every day The nights are long, the rats have got my brain It doesn't matter what they say I've got to put myself away I always said you was an angel I wouldn't go that far now I wouldn't cry for you, I wouldn't die for you, I wouldn't live that far down I'm gonna ride across the water, I'm gonna sink in the sand I'm gonna see the sun, I'm gonna be the one, I'm gonna screw all your friends [spoken off-mic "d'ya wanna do it again?"]
Written in 1996. This song touches on despair and self-harm. If any of it speaks to something you're going through, you don't have to sit with it alone — in the UK you can call Samaritans free on 116 123, any time.
03 / The dossier
About this song.
- Written by
- Piers "Charlie Pepper" Wildman
- Work
- Original
One of the companion album’s emotional peaks: grief, defiance, attempted rebirth and petty revenge are allowed to remain messy rather than resolving cleanly.
The finished recording joins two different reconstructed versions. The audible seam and room remarks remain deliberately as part of its material history.
04 / The artwork
Visualising the song.
04 / The archive
